Dark Moon | September 06
The Dark Moon of Child & Parents
Star constellation of the Pleiades active
Upon this sacred and ancient Tantric festival day, the Mother gives blessing and prayer to her children.
The healing of the Ancestral Shadows that we carry is the root of this Moon festival known as Pithori Amavasya.
The ritual is for healing of the ancestral blueprints of the Mothers line.
It is a ritual day for parents and Mothers and anyone wishing to heal the knots of karma connected to their matrilineal parentage through deep tantric prayer. It is important to note how the whole of Tantric science upon the physical plane, within the bounds of birth and death, is a practice of Prayer. At deeper layers, the practice of prayer may become replaced by Prayer itself.
We live, move and have our being in a multiverse of energies that the Yogis give honour to by way of prayer.
The recognition of the seed of the one spirit within the numerous energies of the multiverse is the beginning of Yog. Though the seed be layered upon and sheaved by endless unique expressions, the source is the great mystery to which the courageous inquisitive explorer can’t help but be pulled.
On the September Dark Moon, we honour another principle: The Mata Tattva (Mother element).
By honouring and connecting in prayer and ritual to the multiverse of such energies and sacred principles of existence, the yogins becomes full of honour and sacredness themselves.
The science of Tantra is a science and art of prayer and honour to the infinite forces and manifestations of Shakti. The prayer is eternal and it’s discovery never stops.
Shakti offered in prayer builds relationship with and to the place it is offered.
The Yogins therefore take care of Shakti and learn not to throw her into and places recklessly. We build relationship to the spirits by the Shakti we give those spirits. To put it another way: the places we invest our power become our reality. Sometimes the things we feed end up feeding on us.
On this occasion of Prithori Amvasya…
The mother element within ourselves is activated, honoured and given dynamism by astral forces in Tantric ritual.
That implies not only Mothers of children but all born of the womb.
In the orthodox manner of this festivals acknowledgement, the focus goes on Prayers by Mothers, whereby Indian Mothers offer prayers, fasting and austerities for the good of their children.
THE GRAIN & FLOUR OF LIFE
This ritual day is popularly called Prithori Amvasya.
The word ‘Prith’ refers to flour.
In some forms of worship, Murti’s (statues of the 7 mothers) are made out of flour or other such produce of sustenance such as rice and ground grain.
The acknowledgment of the staple grains that we eat on a day to day basis, has inherent in it the honour of the nourishing Mother element. And so the festival gets its name as the flour festival. The Tantrics know this festival as Mata Puja which means the Mother Ritual.
In the Tantric lines of ritual, the Mother Tattva within all is nourished and connected with, through specific ritual formulas and practices. These practices apply to both Woman and Man, and apply equally to the child-full or child-less. The focus is on connecting to the Mata Tatva within, or one could call it the power of the inner Mother that we all carry.
Through the efforts of Tapasya (yogic austerity), concentrated prayers and fasting, the veil between the physical and psychic world is made thin. This assists in contacting and communicating with the energies offered by the planetary and astral forces upon ritual days, in the case of this ritual day – with the Mata Tattva or mother energy principle.
This Mata Tattva energy resides physically and energetically in the Womb of Woman, and in the Man it presides in the physical and etheric ‘inner Womb’ that is responsible for the creation of the seed.
The physical and psychic essences of Rajas and Bindu or blood and Seed carry the imprint of Shakti and Shiv and the creative principle of the Mata Tatva. The lines of energy that distribute the creative Mother energy through the medium of the psycho/physical Rajas and Bindu are 7 in number.
THE STAR MOTHERS
In the human organism the 7 major Nadis of the distribution of Mata Shakti are named after the 7 stars of Kritta star constellation – also known also as the constellation of Pleiades. These stars are named after 7 forms of the Mother.
These astral star portals connect ethericly to the human microcosm of the astral body through the 7 Chakras and their respective Nadis (energy lines) that share the names of the 7 star Mothers. In the psycho/physical Human system the 7 major nadis that carry the creative Mata Tatva energy emanate from and to the Womb through the medium of the Rajas, in Woman, and the Bindu, in the Man:
1) womb to anus
2) womb to sexual organ
3) womb to navel
4) womb to right and left breast
5) womb to throat
6) womb to brain
7) womb to top of head
The mudras of Kamakhya and Kanah Karana, it may be noted tend to predominantly incorporate these channels.
The 7 stars of the Kritta star constellation (Pleiades) intersect with these corresponding Nadis in the human astral body through the portals of the chakras – by way of which the celestial energies reach the astral human body.
The astral effect upon these particular Nadis by the stars forces are more pronounced upon certain festival days which are days based on lunar and atmospheric influences.
The festival of Prithori Amvasya is such a festival that activates the energy of the Mother in us all.
This is the dark moon festival time of ritual for birthing the potentials of the ‘7 Mothers’ in ourselves, whether woman or man.
There are also 2 other ritual junctions in the Tantric years calendar where the energies of the Pleiades have a pronounced effect upon our human system here upon earth. These days are kept by tantrics for further ritualistic procedures of working with the Mother energy.
A CLUSTER OF LOVERS
They are known as the seven sisters in western astrology. They are called the Sapt Matricas by the tantrics. Collectively they are the 7 Goddesses known as the Kritta. The word Kritta means ‘to cut’.
The myth tells how they were once cut from the Sapt Rishi constellation of the 7 stars of the Big Dipper. Indeed if one looks closely at the two star constellations it can be seen that they have a resemblance to each other.
There was a time when the Sapt Matricas and the Sapt Rishi existed beside each other as Lovers. The separating cut aroused the bluish dust cloud that can be seen around the Pleiades. Agni the God of fire was summoned by tapas (powerful firey prayers) of the 7 Rishis (Rishi refers to wise seer). Agni was invoked and his firey eyes fell upon the beauty of the seven Matrikas.
Agni fell profoundly in Love with the 7 star Goddesses because of their brightness and luminosity. Agni is their opposite.
The 7 Matricas star Goddesses represent the cooling creative fire of Tejas and Agni represents the heating, consuming and destroying fire.
The balance of these two types of fire is the way of Tantric Wisdom.
These fires belong together as they balance each other, but at the same time they are opposites that repel each other out and cancel the other out, much the same as the dance between Night and Day… cold and hot.
Agni’s Love for them was so great but unrealisable because of their marriages to the 7 Rishis.
Agni could not bear it and so he left the realm of the stars out of the desperation and sorrow of unrequited Love.
Agni then came to Earth as the first fire, his presence threatened to consume the entire earth.
The Goddess Svaha found him weeping fiery tears in a Forrest made barren by his laments.
Svaha fell in love with Agni for his intensity. When she realised the cause of his lamentations she immediately changed her form to look just like the 7 Matrika star Goddesses and together in her 7 formed femininity she entered into blissful union with Agni.
Agni was overjoyed and lived his deepest burning wish.
One may note in many of the fire rituals of India, both Tantric and orthodox, the name Svaha is uttered as mantras offerings are given into a ritual fire. Svaha being the cooling mantra that cools the hottest element of fire so it can be converted to Tejas and into a workable handleable form. The story encapsulates this principle in the way that Svaha is able to calm Agnis fiery tears from becoming all-consuming.
Meanwhile up in the world of the Stars things had gotten barren for the wives of the Rishis. The fire had literally gone out without Agni’s presence. It had been the Invocation of Agni by the Tapas of the Rishis that had kept the flame of love burning. The Rishis became impotent old wise men that the wives began to suffer.
They were only fit for writing and spreading scriptural knowledge and started to write and teach… the once Wise lovers aflame with the fires of wisdom had become a bore.
An amazing intrigue started when the Saptrishi’s heard that their wives had mothered the child of Agni. Accusations of infidelity were coldly thrown. The Rishis hoped to rouse Agni once more by their angry displays but all they succeeded in doing was insult and distance themselves from their wives.
The offended and bored wives withdrew themselves as the flame of Love no longer burned, they travelled to another part of the sky, cutting the connection to their former lovers – hence the name of their constellation, known collectively as the Kritta: literally ‘to cut’.
The 7 Mother Stars of the Kritta constellation are in a portion of the astral plane which gives form to human souls on their last junction in incarnation upon the earth plane. The Saptrishi constellation of the Big Dipper can be said to give form to the mental and causal bodies of the soul whereas the Krittas of the (Pleiades) give birth and form to the astral emotional and subtle bodies that more closely connected to the physical plane. The Mother stars are the last star junction the spirit crosses until it comes to the plane of Bhumi (Earth) where it is physically birthed by the Mother.
The myth shows how the Seven Mother Stars separated from the 7 Rishi Stars. This manoeuvre created a bridge from the spirit realms to the Earth. This happened in a previous Manvantara (inestimably earlier age) This created a linking of the causal/mental plane to the astral/earth orbit, through a bridge like connection from the 7 Mothers to their once beloveds – the 7 Rishis.
An autonomy between the astral and the causal is something that is built through the astral thread known as the Antankarana. This thread exists within the spine and is equally a thread that connects the causal plane to the astral and furthermore to the earth through the intermediary of the Stars we are speaking of.
By bringing the 7 mother elements into balance, we bring a balance to the chakras in the body. The seven mothers are important to balance and bring into harmony if we are to establish connection to the causal plane and beyond.
The Mothers give astral form to the physical (Dhatus) or body constituents.
Each Matrika (Mother) rules a particular chakra which in turn rules a particular Dhatu.
The 7 Mothers are listed as:
1) Varahi: bone, Mooladhar Chakra
2) Indrani: marrow, Shaktistan Chakra
3) Kaumari: muscle, Manipur Chakra
4) Vaishnavi: fat, Heart Chakra
5) Brahmani: skin, Vishudd Chakra
6) Maheshvari: blood, Agna Chakra
7) Chamunda: Bindu in the man, Rajas in the female; Sahasra Chakra.
Chamunda is the leader of the 64 Tantric Yoginis, her seat is on top of the human body where she waits for our death. Chamunda favours the seat of a corpse.
She is the Maha Shakti behind the 64 yoginis are who are mentioned in, and have been assimilated into, the scriptures of India. The wisdom of the 64 Yogis takes form in Tantric circles of initiation, outside of these circles, there is little known about them other than the weaving into scriptural mythology. The mantras and ritual practices that relate to the 64 yoginis involve very powerful formulas and rituals that have never been under the star of common knowledge.
Just like the temples of the 64 yoginis themselves in remote places, many unknown outside of Tantric circles and often in difficult to reach places.
The 64 yoginis are the keepers of the 64 types of Indian arts known as Kaula.
The door to those arts goes through the Goddess Chamunda.
She gets her name from the fact that she consumed the Asuras (demons) Chanda and Munda. These are the astral-Chandu and mental-Munda forces in ourselves that we have lost connection to through dissociation and unconsciousness.
The yogi works to associate the Chandu and Munda in unifying centralised awareness so that Chamunda May come about.
These forces when moving inward in a centripetal direction are a nourishing force of Shakti that brings us life and arouses the grand Chamunda power that is key to the 64 Yogini powers: – Just as in the story where Chamunda consumes Chanda and Munda after first sucking out their blood into her very centre.
When the movement of Chanda and Munda moves outward in a centrifugal direction (away from the centre) then we have dispersion of Shakti and spiritual turmoil..
The force and violent ruthlessness of Chamunda represent an intense focus and unseating effort of the yogi to call Shakti back home.
GODDESSES & GODS
DEVI AND DEVA
When looking at the names of 7 Mother Goddesses, one can see the reflection to Gods that they are related to.
- Brahmani, is the Shakti of Brahma the creative energy.
- Indrani is the Shakti of Indra, the energy of thunder and lightning.
- Kaumari is the Shakti of Kumar, God of War and energy of Mangala the planet Mars.
- Vaishnavi is the Shakti of Vishnu
- Varahi is the earthly Shakti of Varaha
- Maheshvari is the Shakti of Maheshvara. A name of Shiva.
- Chamunda is the Shakti of Bhairav the terrifying form of Shiva.
The 7 Mother’s are the Devi’s of the 7 Deva’s.
Each Devi is a form of the Deva that is more tangible and manifest.
This is inherent in their roles as the 7 Mothers.
The Mother gives form and birth to terrestrial life whereas the Deva stands for the ultra-terrestrial principle upon the mental and causal levels. Devi is the expression and shape of the principle in motion and manifestation. If the Deva is the Seed then Devi is the flower and fruit.
The tree of life is the interplay of Devi and Deva.
The 7 Mother’s represent the more tangible physical form of Tejas, which becomes Ojas.
Ojas is the capacity of the emotional/physical organism to contain and distribute the fire of Tejas.
Tejas can be defined as the inner spiritual power of focus that touches upon subtle spiritual realms. The ability to access these subtle energies is one thing but to integrate these energies into the physical and emotional level is another thing entirely.
In the Tantric line of secret teaching, the 7 Devas represent 7 forms of Tejas that find union, completion and expression along with the 7 Devi’s through the medium of the 7 chakras.
The Earth Goddess Bhumi for example relates to the earth chakra and the subtle form of earth. She resides in and rules the base chakra – Mooladhar.
The Earth Goddess is also known as Bhudevi.
These are alternate names of the Matrika Varahi. She has the form of a boars head with a woman’s body and rides on a buffalo and is the Devi Shakti of the Deva Varaha.
When working with the Earth element, the Tantrics might then for example, employ the buffalo Mudras to engage the earth element.
THE MYTH OF THE EARTH
The myth tells how the Earth goddess Varahi had sunk down deep into the waters and how the great wild-boar-headed god Varaha came from the heights beyond the physical descending down (Tejas meeting Ojas).
Varaha had the body of a man and the head of a wild boar.
In his Love he tried to save his beloved, the Earth Goddess Varahi.
He fearlessly dived into the waters and hooked the earth upon his tusks and brought her to balance on the waters once again.
Beneath her he installed a magical Elephant, Turtle and a snake to make sure she would never sink back into the depths. The Symbolism of the earth can be seen here with the elephant and the turtle and snake are two creatures that articulate between both water and earth.
This story is rich with symbols that point to the balance between the water and earth and the respective chakras – the Mooladhar, earth chakra, with the Shaktistan, water chakra.
The earth element inside us in our base chakra can be submerged in the sea of the second sexual chakra. The optimal place is when the earth is in balance with the waters, possessing the stability and foundation of an elephant, and the articulation of a turtle and snake between earthly and watery worlds.
The Kundalini serpent which lives at the base of our being is indicated clearly in the myth.
The Asuras (demons) are the opposite of the Devas,
In the myth an Asura Hiranyaksha who dragged the Earth Goddess into the waters represents the unbalanced forces of the sexual chakra, which in the story had become imbalanced in relation to the earth chakra.
The demon first emptied the earth of water which made her Tamasic (heavy) he then kidnapped her and then took the earth Goddess underwater. By this gesture, he submerged stability and balance.
The Tantrics practically study themselves through Tantric methodologies, to see where they might themselves be submerging their own stability and compromising their base chakra.
The base chakra supports the whole chakric system. It is to do with our home and our integrity.
And like the powerful Deva Varaha we must sometimes also dare to dive into the very depths of our chakric themes to recover our Shakti.
A wild boar knows no taboos of putting it’s snout and tusks into all manner of matters and types of matter – just as Vahara recovered his Shakti Varahi.
This myth of Varaha and Varahi relates to the relationship between the lower two chakras. There are myths that relate to other chakras and the relations between the chakras.
For example the Lion god Narashima ripped the entrapped Shakti out of the solar plexus of Hiranyakashipu in another myth.
The demon who took Varahi down into the waters was actually the brother of Hiranyakashipu who is also known as Hiranyaksha. The two brothers are tied up in the themes of the Granthis (energetic blocks/knots) at the world of the Chakras below the Kalabandh – the centre of the body at the diaphragm which separates the upper reflections of expressionary chakras from the Base powers of the chakras below where the two brothers represent the Granthis.
Energetic blocks are the psycho/physical Granthis, as the yogis call them.
They are made up of unconscious themes that the yogi seeks to resolve through Tantric means.
When we go a bit further into the myth of the two brothers – who cause chaos in the lower chakras through an unbalanced handling of force – we see that they were once the divine gate keepers to the Heart chakra. However, they failed to do their job satisfactorily and thence fell from grace and became the energies of chaos that haunt the lower chakras below the Kalabandh.
STORIES & MEANINGS
These stories may easily seem like fantastical fairy tales and they are, but further in stories are encoded yogic principles, one could see the moral aspect very easily and this is often latched onto by the religious expressions and sentiments projected upon such stories. Such stories abound in scriptural texts in vast amounts of variations. The stories are ancient and archetypal realities that point to inner elements that we experience on the yogic voyage. The symbols of the chakras and their significances are woven in to the stories, they can easily be shaped to represent moral codes as is often done by the religious institutions, but much more is in the stories than mere morality.
The lines of myth pre-date scripture, scripture has been a human attempt to install stories and information systematically. Very often what happens is that those stories take on the meanings that organised religions assign to them. Tantrics do not really have scriptures, even if there are a few ancient writings under the name of Tantra. Tantra is a subject kept alive and distributed carefully through oral, magical and practical means. The stories are often imparted by elders who may have little or no scriptural insight.
The stories are numerous and point at inner realities that relate to the yogic cosmology of the universe that we are.
They are at once teaching stories and double up as stories portraying energy principles detailing the cosmology of the human psycho/physical system and the macrocosmic celestial movements of planetary and atmospheric influences.
For example the above detailed story of the Vahara power inside us tells of how the base chakra can be submerged by the second chakra if the Shakti is lived or even ‘unlived’ to an unbalanced greater extent through the second chakra. The Vahara power is the active side of Varahi who represents the passive earth element, an active earth power is then needed to care for the base chakra if we are to keep the earth mother inside of us in a state of nourishing release or ‘receptivity’.
Another name of Varahi is Bhumi.
In another story, Bhumi who is the Earth Goddess married the sky father God Dyaus Pitir (literally sky father) together they birthed a daughter called Usha who is the Goddess of the dawn that opens her eyes at twilight.
Polarities coming together to give birth to the new is implicit in the story. The story of Varahi shows how, if we do not find the active earth principle within ourselves, then our home life falls into chaos and reliance upon anything but our own earth powers.
Just as in the Story where Varahi is submerged by the unconscious and unbalanced waters of the second chakra, Varahi represents the nourishing aspect of home life.
Vahara, on the other hand, is the active earth power that places the earth elephant, serpent and turtle beneath her to keep stability, these second creatures both being creatures that can articulate between both earth and water, or between the base and second chakra.
The Seven Mothers are responsible for the creation of life in the womb.
They introduce the 7 forms of Tejas which relate to the subtle principles symbolised by the Deva’s. The Mothers bring these elements into the emotional and physical realm through the 7 physical constituents called the Datus: blood, bone, skin, marrow, bindi/rajas, muscle fat.
This applies equally to the grounding of ultra-terrestrial realities to the terrestrial level as it does to the bringing of nourishment and life to a child in the womb.
The 7 Mother’s feature pivotally in Tantric ritual when addressing childbirth and the care and development of children.
7 types of Malady are traceable to the 7 Mother’s being offended. For example if the first Mother Varahi is not honoured then this effects the earth element and the bones. Bone is the Dhatu (bodily element) under the rulership if Varahi. There are particular uses of Bija mantras that access the realm of the earth element and bring it into balance.
Accidents also come under the rulership of Varahi as they are physical manifestations of psychic energies.
Falling, or having something fall upon oneself is a malady under the eye of Varahi.
The things that wound or offend the earth element are to be considered when attempting to make peace with Varahi. Drugs for example radically unground the physical Datus and unseat Varahi.
Varahi is at the base of all the Datus, even though bone is her speciality.
She is the foundation of the whole system. Indeed she resides in the base Chakra. Her Mudra is sometimes known as Bhumi Mudra or the earth triangle and is most often the starting place of Tantric yogic ritual. Varahi needs special attention as the base of our being must be honoured for the structure to live well.
Tantrics who work very much in trance and the astral realms of ritual equally risk unseating Varahi by unbalancing the physical Dhatus.
Prolonged levels of focus in subtle realities can draw Tejas and Ojas apart.
In order to keep Varahi in her seat and happy, the Tantric must take care to not get un-lodged from the earth seat by excessive wayward travels to the spirit realms. Such travels are not easily accessed for most are require a degree of siddhi and focus, so this mainly pertains to those who are deeply living in intensive daily Tantric sadhana.
For such practitioners it is important to find a way to the earth seat of Varahi. There are methods to ground the energies, sometimes tobacco is used as a crude method but it is far from being recommended.
The magnetism of babies and young children, animals and forests also grounds the physical layers and it is good for far-traveling Tantrics to associate with such.
VARAHI RULES THE HOME
It is said that if Varahi is pleased she brings Love between Mothers and Fathers. She brings love from the parents to the children and back to the parents from the children.
The children represent the underworld of Patala. They are in a process of growing and manifesting from the seed of potential born of a dark womb.
The mother is the physical/astral realm of Bhumi. The Mata Tatva spreads a nourishing energy through the astral level and spreads to the physical. Woman is connected to this through her rajas (womb energy). This principle is most starkly seen in pregnancy.
The father represents the mental/causal world known as Svarga.
The Bindu seed has the action to move in this direction and so the man connects to this realm. Again, this principle can be seen to play out actively in the creation of life.
For these 3 elements of Mother, Child and Father to be in balance with each other – practically and figuratively speaking – Varahi must be pleased.
These 3 energetic interplays can be looked at closely to be seen to play out on many levels.
Homes without Love are homes where Varahi’s seat is comprised. Whatever the constellation of the home may be, whether abounding with family or whether it be the solitary home, it is made up of this movement of energy, regardless of gender, or partnership or child-fullness or childlessness, a home is dependent upon these aforementioned exchanges of energy. The articulation of these energies in fluid motion make for a good home life.
Every man has the child and woman inside him. As every woman has the man and child inside her.
The physicality creates a magnetic current that makes an energy more present.. a man has constituents in his body that a woman does not have and vice versa, regardless of sexual or gender orientation, the energies we are talking about are magnetic principals that do not relate to a socio-stereotype of roles.
We have taken the model of mother, father and children to express movements of energy. Whatever the state of our home we may see how the balance of the 3 elements expressed in Patala, Bhumi Svarga must be in harmony. We can say underworld/astral, earth plane and spirit world just as readily as child, mother, father.
The intonation of mantras is a bridge between the world of Tejas and Ojas, as making sound is the physical feel-able activity of a subtle form of sound. If a mantra is said internally without voicing it physically then it builds Tejas internally.
The 7 types of Tejas are addressed very specifically by inner concentrations on 7 types of sound, when voicing these sounds it gives them tangible form and applies the energy to be converted to Ojas.
This is anthar mantra (inner sound) and the opposite is bhar mantra (externalized sound).
There is to be sometimes noted a change in the internally voiced Bija than in the externally voiced.
Tantrics are able to accomplish siddhi’s such as Healing if they build up a power of inner Tejas through inner mantra. The voicing of an internally empowered mantra unleashes tremendous force that is dependent upon the degree to which it has been empowered.
In the same way that the car needs petrol to drive, the engine of ritualistic undertakings requires fuel.
Tejas is the fuel and Ojas is the car, we could say.
HONOURING THE 7 MOTHERS
When the 7 types of Energy are honoured then there is a harmony in the Chakras.
For example, if we were taking a journey, we would need to make sure we have the respective necessities with us. We would take the required and suitable clothing to accommodate the weather, we would secure the necessary travel documents and tickets to allow the journey, and we would arrange for necessary nourishment and accommodation. If all the elements of taking such a journey are in balance then there would be a satisfactory outcome to reaching the destination.
If one element were out of balance, such as not having a ticket or not taking warm enough clothes for the climate then the whole journey could be thrown off balance.
The structure of the Chakras and the chakric life that we live needs balance for harmony to prevail. It is a careful undertaking to learn about our own specific chakric life and the care it needs as we go through the journey of life. Every person has their own melody, rhythm and music of the Chakras that takes listening to know just how to honour and move by it.
The remedies that nourish our chakras can be found through self-study and Tantric practices. By experientially investigating the psychic and physical rhythms of our make-up, we can discover the poisons and the remedies that create or destroy Life and Love in us.
The tantric practitioner takes a step of self-reliant autonomy that sets aside any standard system of conduct. The tantric becomes his or her own physician as they investigate the dynamics of their use of energy. Actions that we ourselves do are investigated in Tantra for their life giving or life taking potentialities.
The 7 mothers each have their realm of influence through their respective mantras and remedies. Seven types of flower are known in Tantra to that create remedies for example. Food crystals, metals, types of Sadhana (spiritual practice) and many manner of things exert influence upon the chakras through a psycho/physical medium.
By correspondence and connection, each of the 7 energy constellations relate to respective elements of influence.
Just as there are beneficial currents of the seven mothers which are known as Amrit (remedies), there are also malefic currents known as Halahala (poisons).
The correct measure of elixir and poison is needed in balance to arouse harmony in the chakras. The state of a chakra can itself turn poison to elixir and elixir to poison.
The 7 mothers are our celestial parents who are connected to us through the chakras – In the same way that the parents are always connected to a child spiritually, before and after birth and into adulthood and beyond.
A great field of influence exists through the parents to the child through the chakric system, especially that which the parent does in the younger years of the child, bears heavy influence upon the child energetically.
THE WOMB OF LIFE
The seven Mothers are the creators of life in the womb. They reveal 7 types of the creative fire of Tejas in the wombs of the 7 chakras.
The 7 stars of the Pleiades are a celestial form of Tejas that is revealed and honoured by Tantrics on the September Dark Moon. The seven stars reveal themselves by a bluish diamond-like glow.
There are other points in the year when these Star Goddesses come into their power. We shall come to those days later in more detail upon the respective ritual days.
September is a time of maturing and the first beginnings of harvest. The Matrikas play their role in this fruitful development. This beginning of ripening applies to fruit and harvest as well as to human life. The time of harvesting the fruit of the astral forces and their influence on physical life is now. The ancients who lived so much in natural rhythms, as to be able to feel and see the influence of celestial and planetary currents, chanted mantras to match the vibrations of the stars and set up ritual conditions for the spirits of the 7 mothers to me welcomed and pleased.
When the 7 mothers are offended by us going against nature ‘and our own nature’, they are said to bring disharmony in the area of birth.
This applies to physical both as well as the birth of our visions.
The mothers are pleased when we extend ourselves through tapasya (yogic technique and effort) to touch the stars.
Women who have problems conceiving children would be directed Tantricly, for example, to balance the bodily elements through the learning and chanting of the corresponding Bija mantras.
The Bija Mantras (seed syllables) of the 7 mothers have connection to the nadis (energy lines) that articulate the 7 dhatus (bodily substances) to and from the womb and areas of reproduction.
The 7 Matrikas care for children by shining favourable fortune upon them.
Children are still in the range of influence of the celestial currents as they are not so fully incarnated from the spiritual to the earthly yet through the passage of development and time.
If the parents are out of balance with any of the Matrika elements, either physically or psychically, then the child reaps that unbalance because of their close connection to the parents.
The prayers of Mothers for the well-being of children is the conventional interpretation of this ritual day. When looking at this Dark Moon festival from the Tantric perspective, we see that this ancient balancing ritual is done for the welfare of children. Hence it is called the Mothers Moon Ritual to tantrics – Mata Amvasya Puja.
It is Tantricly carried out by both men and women, both child-full and child-less people for the pleasing of the seven protective Mothers, the ritual arouses innocence and heals both the inner and outer child.
This ritual has as a root the practice of formulas for adults to set up favourable spiritual conditions in their psycho/physical mechanism, so that the children and children to come would be freed from ancestral karmas, shadows and ill-favoured imprints.
Ritual practices and Healing at this time focuses on freeing oneself of their own ancestral karmas so that the child in us can relinquish itself of inner battles.
By establishing good connection with the 7 Motherly spirt energies of the Matrikas that exist within us – reflected and empowered on this day by the Star forces that rule them –
We give space to the Child of Freedom.
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